Showing posts with label creative writing. Show all posts
Showing posts with label creative writing. Show all posts

Wednesday, June 10, 2026

Half-way checkup on annual goals (it's not going well)

This post is going to be depressing. Now I want to be clear, I'm very grateful for what I have. I love what I do and I have great friends who are truly a blessing in my life. That being said, I'm very behind on my personal hobby-related goals, even though I'm fine with where I am professionally and socially right now. What really matters in life is learning. And anyone who actually cares about learning knows it has nothing to do with school or classes or jobs. So what do I want to learn? Several languages, the entire canon of western literature, and photorealistic art skills for sure. These were things I said I want to focus on this year when I made my 2026 new year goals back in January. There are other things I want to learn, like music theory and math. But music seemed like it needed to be sacrificed because the list was already overwhelming. And math was something I didn't realize I wanted to learn about until well into the year after I already made the goals.

When I realized I wasn't making much progress on my goals, I considered changing them from 2026 goals to a 3-year plan to give myself more time to achieve everything. But I'm still not sure if I can do everything. Lets go through the list now. I'm going to try to figure out if there's actually any hope of achieving these goals. 

Sharing of academic ideas

Now, one of the categories of goals is, "sharing of academic ideas." I started a podcast called PhDeezNuts, but I only released one episode and then abandoned it. But that's fine! I'm just going to take that off the list because it doesn't matter for now. I'll return to the podcast when I'm ready.

I was going to do a Substack post, presentation, or video on Longfellow's The Song of Hiawatha, but I don't think I will get around to this one this year. So what goal does that leave under 'sharing of academic ideas'? I would say it's writing a post about John Milton's views on marriage. I'm arguing that they have a continuity in some nineteenth-century novels that also have unconventional views on marriage. I have read Paradise Lost as well as Stephan Greenblatt's The Rise and Fall of Adam and Eve, where Greenblatt tells us all about Milton's love life and his views on marriage. I have read Jude the Obscure by Thomas Hardy, which quotes Milton in an epigraph and questions the institution of marriage. I have also read Middlemarch by George Eliot, in which Dorothea and Will achieve the Miltonic ideal of marriage. The books I still need to read to write this post are probably just Milton's divorce tracts. At least the first one. So I realized I am just one book away from feeling qualified to write this piece for a general, non-academic audience! 

Reading goals

Now, I'm also going to modify my 2026 reading list. The goal is to read 69 books. I will probably achieve that. I had some books that I assigned to myself, but now I feel like my reading interests keep changing and I'd rather see where curiosity takes me than stick to a list. Right now, I'm reading Anna Karenina, On the Origin of Species, and a self-help book for people who have too many interests called Refuse to Choose. Of these, Anna Karenina is the most interesting so far, but Origin was the only one on the 2026 reading plan. But Anna Karenina isn't a waste just because it wasn't part of the plan and was something I got into later. I'm going to take off some of the required titles but keep the quantity of 69.

Art goals

The next category of goals is art goals. I realized what the problem in my art is. You see my technique is decent now, and my content is very fun and cool. But I have not yet been able to marry technique with content. If I am able to marry these two, I will finally be able to produce the kind of art I really want to. 

These are some drawings I did purely for 'technique,' their content is boring. This is just a cupcake and a rubber ducky. Just boring still life that I used YouTube tutorials for. I am fine with the colouring technique. That's not what needs to improve right now. These drawings are also okay, I'm satisfied with them for now. 



Now, there is an issue here that I realized and it is that I rely too much on colour to make drawings look appealing. I love colour, so of course I don't really want to make my favourite pieces less colourful. However, technique pieces are not supposed to be fun. They are supposed to be boring af. You draw something boring to force yourself to improve. It's the only way. I am going to make at least 8 more technique drawings this year, and I will try to make sure they are in black and white. 

I have also made some fun drawings or content drawings. If the technique drawings are like intense gym sessions, fun drawings are like 15 minute walks. That means you still need to do them to stay fit, even though they won't improve your results dramatically. But they are needed to keep your hand and eye trained.

These are the content drawings. This is the Set animal from Egyptian mythology. He embodies chaos. Notice how the colouring is good and the creature is interesting, but this is not a drawing you would praise for its technique. But it was fun. 


A cupcake and a cinnamon bun. Horrible technique. Honestly, not great colouring either. This one was quite rushed. I used a DrawSoCute tutorial and those are for kids. But you guys know I know how to make a good cupcake, because I showed you a better drawing of one already.


And here we have a forg. I am part of a forg appreciation club, and so this drawing is actually up on the club's office wall. I'm not joking about this btw. My life is pretty weird.


Now this one is pretty bad. These are some characters from an unfinished fantasy pocket novel I am working on. Their names are Mariah, Nali, Lysander, and Ostara. Although these names are subject to change. Mariah is a warrior woman from the same country as Nali. Nali is a loser and the protagonist. She is supposed to be a loser because she is from the conquered country and instead of trying to liberate it like Mariah, she works as a castle maid in the country that conquered her. And she sucks at everything. Lysander is a handsome flutist who Nali loves, although it is not reciprocated. He is from an unconquered country. Ostara is the princess of the evil country that conquers everything, and Nali is her maid. 



This is an ahuitzotl, which is a dog-like creature in Aztec mythology that has a hand on its tail that it uses to drown people and take them to the realm of the rain gods. To be honest, I kind of like this one. I was inspired by some designs of wolves in a pet collecting game I play called Chicken Smoothie.  


Okay, to be honest I actually love this one. This is my baby. I don't care if you don't like it. It's inspired by Michi Bizhiw, an aquatic lynx in Ojibwe folklore. I have a real soft spot for this one and it's the best drawing in this post. I made it my Discord profile pic and also turned it into a WhatsApp sticker. 


An axolotl doing the pleading emoji face. This one had a good reception among my frens. Feel free to crop and use in your Discord server or something. 



I don't like this one much, but it depicts some characters from Measure for Measure. They are Isabella, Mariana, Angelo, and Claudio. Isabella wishes to be a nun, but Angelo, who is a horrible person and has control of the state as the deputy of the duke wants to sleep with her. Mariana wants to marry Angelo but he has forsaken her. Claudio is the brother of Isabella, who Angelo wants to execute for having sex outside of marriage even though Angelo is worse!!!


I will be doing 2 more of these maintenance drawings. 

After that, I will make 10 drawings that attempt to marry content and technique. They will be full colour scenes with backgrounds and multiple characters, sort of like storybook illustrations. 

Creative writing goals

I would like to finish the draft of my story on medieval Spain, then revise it a few times after reading Teresa of Avila. I would like to revise and publish two of my poems, which are called 'Fish' and 'Parable of the Wolverine.' The Spain story is called 'You Told me about the Wakwak Tree.' I write so much poetry, but I am actually better at prose.

I would also like to fill up my whole diary and make at least 12 blog posts.

Language learning goals

I'm going to lock in on Anishinaabemowin and sign up for a French class. I took out the other languages for now because this is enough. 

Fitness goals

I need to lock in on this!!!! Do more resistance training and cardio. I use an elliptical for cardio. On days when I don't want to go to the gym for resistance training, I use dumbbells that I have at home. 

Skincare goals

Alright I am pretty satisfied with my skincare routine. I love the cleanser I use (the brand is called The Ordinary) and the moisturizer, which is Olay. Both are very cheap. I use sunscreen too. I stopped using rosewater toner because I actually think it was making my skin worse. So I'm doing cleanser, moisturizer, and sunscreen every day. My skin is soft and looks healthy. Sometimes, I get acne. But it's not really that bad and fades quickly. 

However, I still have blackheads that are a huge problem. I don't use pore strips because I know they aren't good for your skin. I need to experiment with a salicylic acid toner or retinol. Someone gave me a Sephora gift card, so now I will be able to skinmaxx. 

Professional goals

My goals were to try some volunteering. Right now, I am doing volunteer tutoring and I also volunteer for a mental health helpline. My other goals are to try some paid tutoring once I have a bit more experience with volunteer tutoring. I am also going to try a work simulation on Forage related to consulting. For those of you who don't know, Forage work simulations are free online. They're to help you figure out if you would even like a job before you try to apply for it. I will try to consulting simulation. I might hate it, or maybe not. But it will be important information! I have been taking some Excel classes. I will finish these. I have an idea for a small project that will use Excel and I will get started on that once I finish the online Excel course I'm doing. To improve my math, I will grind some textbooks on statistics and probability or find some online lessons. 

After doing all this self-reflection and pondering, here is the final goals list for the rest of 2026. I think this is perfectly manageable: 


1. Write a blog post or article on John Milton's views on marriage and how they may have influenced nineteenth-century novels on marriage. 

2. Read Babel by R.F. Kuang

3. Read Emma by Jane Austen

4. Read Confessions by Augustine

5. Finish reading Darwin's On the Origin of Species 

6. Read AI Morality by David Edmonds

7. Read 69 books. So far, I have read 24. 

8. Make 8 drawings that are only pencil sketches. No colour. These are for improving technique.

9. Make 2 silly drawings with colour.

10. Make 10 drawings that combine technique and appealing subject matter with colour to look like storybook illustrations. 

11. Finish the first draft of my short story 'You Told me about the Wakwak tree' 

12. Read Teresa of Avila's autobiography 

13. Revise the draft of 'You Told me about the Wakwak tree' after reading Teresa of Avila. Edit it and try to submit it to a contest or publication. 

14. Revise and publish my poem 'Fish'

15. Revise and publish my poem 'Parable of the Wolverine' 

16. Fill up my whole diary

17. Write 4 more blog posts for this blog

18. Finish the Kidon Miinawaa Anishinaabemowin course

19. Finish my personal Anishinaabemowin Anki deck

20. Spend at least 40 hours on Anishinaabemowin on Rosetta Stone or Pimsleur 

21. Finish reading one whole issue of Oshkaabewis Native Journal in Anishinaabemowin

22. Passively listen to every Anishinaabemowin episode of the Wiikwemikong podcast. I have 8 left so far. 

23. Sign up for a French class. I have access to some free ones.

24. 100 resistance training sessions. 17 out of 100 so far. lmao it's not going so well.

25. 44 cardio sessions. 19 out of 100 so far. Yes this is bad. Yes I am overweight. But there is hope that I can fix this!!!

26. Try salicylic acid toner or retinol in skincare routine, see if effective in reducing blackheads

27. Continue volunteering tutoring

28. Try paid tutoring

29. Continue mental health helpline volunteering

30. Try becoming a volunteer trainer for the mental health org

31. Try BCG's work simulation on Forage

32. Finish the Excel course on LinkedIn Learning

33. Do a project using Excel

34. Finish a stats textbook 

35. Do some stats practice with online resources 

Alright, this seems like a straightforward list now. I'll let you guys know how it goes. 

Friday, January 31, 2025

experimental poem (kinda cringe)

Okay, so I would say I was partly inspired to write this by Sir Philip Sidney's "Astrophil and Stella," but that really overhypes this and will make you have very high expectations for it. However, this is meant to be a poem about someone getting absolutely devastated by love. And it can either be read as 13 short poems or one long poem. This is an experimental form. Also, an intercultural romance theme is explored here. A possible title for this piece could be "rey de mi corazon." Enjoy!

rey de mi corazón (experimental)

i. 

I was not a pretty sight to look at when

the tears wouldn’t stop falling and

I cursed my fate every day,

hair thinning, heart breaking, starving myself,

As once again, someone I who I thought I would have forever, left,

But you loved me even when I felt hopeless,

I didn’t know it then, 

Back when I owned no elegant dresses,

My neck and hands were never bejeweled,

No one heaped praises upon me as they do now on

my onyx eyes and the way my hair glistens

or the verses I write and the things my hands create,

But you wanted me when 

there was nothing worthy of your gaze

Or your listening,

My grief was so great

that it silenced me,

And knocked the paintbrush out of my hands

The dreams out of my mind


ii.


You see me smile more now,

But I’m still empty,

You think I have depth but,

I’m only like an endless chasm

to be filled with your voice, your love,

I’ve always been hollow 

but the promise of your touch

could heal the wound of my heart

that you saw agape yet never flinched from 


iii. 

You came upon me so suddenly,

If things had been just a little different,

With the Fates trying a new pattern in their knitting,

We would never have met,

It was like you wandered into the woods without a map,

And found me as I wept by a stream,

So the sound of it trickling down the rocks could conceal 

the sound of my sniffling,

I hoped my tears would merge with the rain,

But instead of fleeing from this dark being of woe,

You embraced me

Under the cloud that thundered above my head


iv. 


Now, rey de mi corazón, come rest your head upon my lap,

As I stroke your hair and tell you the tale of a warrior and maiden,

Who you say could have been just like us,


She

Could not pass through the village

Without wishing to escape the gaze of

Men who were more like cockroaches

In the taverns,

Who beheld her 

Reddened lips

Her black hair shining 

From being washed with fermented rice milk,


Under her porcelain mask

There once was a face

Less perfect

But less bitter,

And she thought remaining invisible

Would have been preferable to this


And he? 

What of the warrior, you ask, no, you beg,

Well, he could hardly move under the weight of his armour,

Or was it his sorrow?


Sometimes he thought it would have been better 

To have been ridiculed as a weakling

Than to have turned into this thing

That causes vain, silly girls to giggle at his approach,

Mesmerized by the glint of his sword,

Expecting to hear tales of his feats,

But they’re disappointed 

When it turns out

He never sharpened his storytelling skills,

And there’s no way for him to tell them that

He feels as though he sold his own soul,


They both would have wept at the perfect line of verse, would have painted landscapes and arranged flowers, would have read the chronicles of the empire not to celebrate the conquests but to lament what was lost,


They,

Happened to pass by the same pond one day,

Though most days are the same for them,

And there is hardly a relief from

Their loneliness

That being surrounded by admirers never cured,

But the lotuses looked lovely,

The heron’s feathers demanded careful thought,

About what colour to use for them in a painting,

There warrior and maiden glimpsed each other,

For the very first time,

Annoyed that the other had interrupted their solitude, 

They continued on their way


When you begin to protest this ending,

It will be the perfect time to kiss you, 

Satisfied that I’ve moved someone who pretends to be flint-hearted,

I’ll hold you and be amazed

That someone who trains to kill by day

Could have such lovely, youthful innocence on his face at night,

Wrapped in beauty like a delicate flower,

Who Venus herself would have lost her wits over


When you hug me back even tighter, I’ll know

Cupid’s arrows pierced through the armor of a son of Mars


v. 


The Christian scholar honours

The philosophy of Greek pagans

As the Sufi mystic

Considers the writings of brahmins worthwhile


There is more respect between

Different civilizations

Than king and queen of the same domain


More understanding between those

Who speak different tongues

Than the sun and moon

Could ever have for each other 


vi. 


Why don’t you have a seat in the kitchen, meri jaan?

As I knead the dough for the chapatis,

I’ll spellbind you with

Tales I’ve heard of the bloodthirsty gods of your ancestors

and the blue-skinned ones of mine,

Would you forgive me for idolatry, mi amor?


You must know I’m just as moved as you are by

That most praiseworthy woman,

the virgin whose womb brought forth

the one who created the stars,

But I would still burn in a fire for you,

I would still be a sacrifice unto you 


vii. 


I don’t want the sun and moon,

You bring no flowers,

Write no sonnets,

Strum no guitars,

But your love’s more steadfast than

Any artist who may try to deceive me,

I could never be ensnared by their glittering lies

As they drain the life out of memorized verse


Your love’s not birdlike but quiet,

It needs no declarations,

Yet to them, love’s a grand word,

Their favourite trope,

From stories they’ve read of Tristan and Iseult,

Pressing rosebuds between the pages,

It’s true they do not lack knowledge of the Middle Ages,

But they’ll never have an ounce of your courage


Until they understand this,

They’ll always appear silly 

When they attempt to embody chivalry


Your love’s like fossilized shells 

or dragonflies in amber,

Not like the delicate petals

That will wilt someday

Your warmth endures

While their promises wash away


viii. 


How many times have I dreamed of running away?

Assimilating into a foreign culture, forgetting the past, bathing in Lethe or perhaps

Slithering away in the form of a snake, I’ve always wished I could just shed this skin,

submerging myself as an alligator in a swamp,

Nevermind, you make me forget my own name

And I could always disappear into you 


I want you with an appetite that scares me


How have you made me unleash 

A feral, primeval, reptilian longing

That this thing we call civilization 

Can never contain?


ix. 


God has blessed your country with the southwestern desert, the most mesmerizing place on earth,

I do not understand how someone can look at it and say

We need to test nuclear bombs here and we need

The hideousness of paramilitary forces

To desecrate Nature’s harmony


Can the lone saguaro cactus against the sun

With its lifespan of two centuries

Ever forget these crimes?


See how everything in nature is interconnected.


I thought I beheld a Vishnu temple,

Look how Nature carved an Oriental pagoda herself on a rocky elevation!

This land is just as romantic as the East


And in your bloodline there is

Fasting shaman chewing peyote, austere friar carrying books, jaguar warrior wearing a plumed helmet, intrepid conquistador with a lust for gold,

No, I was not born here but

Descriptions of Paradise had reached my ears,

And I no longer doubt they were real



x. 


I want your love to be like one of those hardy perennials, 

so be careful about which plant you get for me

The golden barrel cactus may be the best,

I want a cactus, not flowers


Were you to get me one I would

Protect it as fiercely as if it were

My firstborn son, Cedric IV

But I know that it would need me even less than you would


I remember buying a cactus once

From a Home Depot somewhere in a dreary Canadian suburb

And I could not believe my eyes when

A tiny lizard emerged from the soil of that pot

Where was she taken from?


She ran off outside somewhere,

The only one of her kind in this land,

Perhaps she was crushed to death, 

perhaps she shriveled up

In the cold with a broken heart,

I could hardly comprehend

The awfulness of her fate


xi.


I gather flowers for him 

though he does not seem to appreciate their beauty

or know of their meaning

The poinsettia, the Adonis flower,

The Pendant Amaranth, which he does not know

Was once called “my-love-lieth-a-bleeding”

for it looks like the blood bursting out of

a sacrificial heart

like what gushes out of 

a cacao pod when it’s crushed


But how can I not bring him these things

While I’m here on earth?

As long as I live 

I’ll replace the flowers every time they wilt,

I’d toil in a garden for my love if only

I could be rewarded by glimpses of him 



xii.


Ever since I’ve lived here, I’ve always had to hear Canadians bemoan and bewail

The lack of a proper springtime in our country, the fact that there is no season of love

No rebirth and renewal, only the grey slush from the melting snowbanks 

a return to the general dreariness of suburban life, nothing to celebrate

surviving the harsh winter that tested the faith of black-robed missionaries 

Weakened by starvation and scurvy as they feared dying unloved in this hostile land

Yes, Pan the satyr would never see reason to dance here as he did in Arcadia,

Your heart’s like the barren trees here so you’d fit right in while mine’s like

 the desert sunrises that you don’t realize you’ve been so lucky to have been bedazzled by 

The ones that are the same colours as the petals of blanket flowers, I’m sure you remember

Seeing them many times, so how is it that I, winter-hardened as I am, can be more like

The refreshing cactus fruit, the flute song over windswept sand, than you are?


xiii.


Sometimes when your strong arms encircle me,

I still feel lonely,

Like that time when my friends turned away

From me, a being of flesh and blood and soul,

To admire an artist’s portrait of a woman

Cold and flat and drawn on a wall

Your hands are on me but your mind is elsewhere

And if you’ve never felt a desire to protect me, it’s because

You were always meant to invade my heart 

What an ill-equipped fortress it was!


Tuesday, November 19, 2024

what does "gikinawaabiwin" mean?

Hello frens. The title of this post includes the word "gikinawaabiwin," which means "learning by seeing" (as a noun) in Ojibwe. This is the title I came up with for a poem I wrote recently. I won't share the whole poem, only the first few stanzas here. If you guys remember my post on knowledge acquisition, it's basically a poetic version of the themes I discussed in it. Here is the post I'm referring to: https://freyathefrypan.blogspot.com/2024/09/when-you-want-to-acquire-more-knowledge.html

Here are the first three stanzas of my poem :) and honestly, since the rest of the stanzas suck I think I'm just going to leave it at this and say this is the final version:

I met disciples in an ashram on the edge of the jungle 
who said they sought moksha and spent their days 
fasting, praying, meditating, 
But in twenty-five years of abnegation 
they still had not received a vision, 
Their souls had not been liberated 
and they seemed to live in fear of the world. 

I met black-robed scholars who thought that Knowledge 
was something one could conquer, 
It was what they sought to master, 
They thought Nature’s secrets could be wrested from her 
that Wisdom would visit them during their candle-lit study in their stone towers, 
But She never came 
And they did not feel the Sun’s warmth in a year. 

In Mikinaakominis, Knowledge surrounded me 
in a land where the branches of evergreen trees 
looked like peacock feathers to me when I first beheld them, 
In Anishinaabewaki, the land is a teacher 
if one is willing to learn by seeing.

--

I am quite happy with this, especially with the second stanza which I consider to be a banger. 

Sunday, November 26, 2023

The Mysterious Manuscripts of Snekcoatl

 I am making this post to share some unpublished poems I found in a manuscript by a previously undiscovered author. This reclusive genius once roamed a part of the earth that used to be a boring suburb in the fallen state of Canada. Their name was "Snekcoatl," which is a really weird name. This manuscript was unearthed near a high school in the suburb that has the same name as the suburb. We've found artifacts from that high school too, which has been abandoned for some 500 years since The Incident. There were plaques from the English department of the high school commemorating the genius Snekcoatl, who was apparently a prodigy. There was also apparently a rival writer named V*c. Apparently she had strong ties to Snekcoatl, though it is unclear whether the two were the best of friends or the worst of enemies. 

Some other manuscripts unearthed in Tkaranto, the city that was then known as Toronto, suggest that Snekcoatl and V*c spent a brief part of their lives there. They could have been academic rivals in the academy that once stood there, competing for influence. We have some obscure and threatening letters from V*c that were sent to Snekcoatl. It appears that there was also a building at the institution named after V*c. 

Snekcoatl did not get the recognition that they deserved during their lifetime. But perhaps some of these poems will help to shed some light about what life was like in "Canada" before The Fall. So I am sharing them because they could be useful to historians, and also because they do a fine job of capturing the feeling of yearning and languishing, which appear to be the two main themes. 

Poems of Yearning

Snekcoatl's handwriting, though childish and messy, was not impossible for me to transcribe. The only thing that was really annoying to me as transcriber was that Snekcoatl did not attempt to give their poems respectable titles. And so the first one is simply called "Poem I wrote for a Femboy who made me lose #NoSimpSeptember (it's so over for me)." From this we can guess that the poet was unlucky in love. This one appears to be insulting the sun as a symbol of masculinity.

 You must have been starving where you were,

as you hungered for beauty,

you turned to the ancient, the flowery, the romantic,

when they wanted you to see the light of reason and become a critic,


I never wanted the splendid sun,

that ball of light,

nor the urns decorated with images of heroes, warriors,

the bold speeches of leaders that conceal wicked deeds,

the bloody conquests,


I only longed for the pale moon,

She's like you in your black gowns like raven's wings,

with your love most chaotic and unreasonable


Now for the historians rather than the literary critics reading this, 
we can guess from the reference to urns that Greco-Roman aesthetics 
still had some impact on the country that the poet lived in even though 
it was a rather uncultured society. It was still a part of western civilization, after all. 
Or perhaps it represents the poet trying to grasp at some semblance of culture 
even though they lived in a rather cultureless void. 

This next one is titled "when will exam season end i can't take this shit any more."

 The diligence of a scholar, 
 alienated from the world, 
 has resulted in a row of glittering prizes, 
 on the shelf, 
 perhaps I'm doing it all, 
 to feel worthy of you, 
 but I'm losing the game, 

 consumed by my reading during the day, 
 every night is the same, 
 I return to your arms in my dreams, 
 no matter how hard I try, 
 to forget you when I'm awake, 
 how do I forget you at night? 

 My longing for you, 
 is an animal within me, 
 desiring to escape civilization, 
 and lose itself in your wilderness, 
 sheltered by you,
 my refuge from the world, 
 the others desire glory and fame, 
 but you make me want to forget my own name


The pathetic simping of this poem can alert us of the 
economic system of the poet's society 
and how it caused humans to worry about 
The Grind over human connection. 
This is what resulted in the speaker's 
feelings of isolation. However, 
Snekcoatl was in some ways ahead 
of their time. 
They realized the value of nature 
over The Grind and the dreary 
colonial cities that once existed here. 
Fortunately, under The New World Order, 
we've allowed nature to reclaim many such areas.

Poems of Languishing 

I would like to shift the focus now to poems of languishing. Although they contain less simping, they are still a bit depressing. And they can teach us a lot about the lives of immigrants, which Snekcoatl certainly was. And about the kind of culture they were part of. 

This one is called "Quetzalcoatl (devotional)." From the title, we can guess where Snekcoatl gets their pen name from. We don't know their real name, but the name Snekcoatl was certainly inspired by this Aztec deity. It also references a gathering for Indian Muslims, and so it gives us a huge clue about what Snekcoatl's culture was. The whole poem seems to reflect a desire to escape from the boring suburb where they lived, to seek love and refuge elsewhere.

Under your soft wings

Watched by your

Eyes full of love

With pupils like slits

Sheltered in your green plumes

And your endless mercy


I remember at the majilis

They said there is a world

Beautiful beyond imagination

But they must have been mistaken

About the pomegrantes and date trees

Because I am certain they must have meant

Your land of cloud forests and quagmires 


The next one references Norse mythology and is called "conversing with the Fates." The language used here certainly seems conversational, I suppose. And it is natural for one living in a world with harsh winters to turn to Norse myths for references. 

 Oh, if there be Fates spinning my destiny, 

Then we must all be at their mercy,

Sitting under Yggdrasil, those ladies,

must not know how to continue my story,


Fates! What is this?

You are cruel ladies,

and I will never understand your ways


If all you can dream up is so outrageous,

so inconsistent with the past,

How can the trajectory of my life end up like this?


I've never been more certain that there are no gods.


The last thing that I'm going to say about this poet is that they were probably young when they wrote these. I would say not far into adulthood. Their invocation of the Fates may be because their life was unfurling in a way that they never would have imagined in their childhood. And they were shocked and disappointed by this. 

I will be back if I discover more manuscripts by this author. 






Friday, August 25, 2023

The Red Lynx (idk if I will expand this into a novella later. for now, it is a random story)

    Mara knew her daughter was different from others from the moment she was born. A weak and sickly child, Nali had been perhaps half the weight a newborn infant ought to be at the time of her birth. She had all the typical features of the Kuralic people; wiry, black hair, olive skin and large, amber eyes. Yet the way she often gazed into the distance for hours in complete silence gave Mara the uncanny feeling that she could see things that others could not. 

Nali’s frequent, debilitating fevers and her quiet, submissive disposition made Mara overprotective. She did not wish to let the fragile child attend one of the strict schools in Sylvania, a land where neither mother nor daughter were from and where they found themselves most lonely as they resided there against their will. Corporal punishment and school bullies would have done Nali no good. And Mara, fearing also the bears and wolves of the densely-wooded Sylvania decided it would be simplest to totally ban Nali from leaving the house.

From then on, Mara’s sole mission became to provide the child an upbringing that would feel like being confined to a gilded palace. She tutored her in lyre-playing and reciting Kuralic love poems, which so often described the eyes of their women as resembling honey or gold when illuminated by the sun. Of history and politics, Mara taught the child nothing. She could not stand the thought of Nali ever knowing that bad things befell the good, that the sun shines on both the just and unjust. She prayed to the goddess Nerukia that her daughter would never have to wonder why the powerful can never be touched, that it is usually the ones you love the most who betray your trust, and that she would never know how sometimes love could hurt so much. 

So the girl hardly knew of the existence of other countries, other than their distant homeland of Kural and that it had been subsumed by an empire called Aradala. Mara distorted this to sound like a peaceful takeover rather than a bloody conquest, and did not mention that the Aradalans were now trying to take over Sylvania. 

Nali’s only assigned chore around the house was to ring the bells near Nerukia’s altar every day and say a few words of gratitude to the goddess.

She did this right before her mother left for the marketplace in the morning. Mara spent her days trying to convince Sylvanians of the value of Kuralic goods so that she could feed her child. Sacred heirlooms were seen as mere trinkets and curiosities. Every day, it seemed like the locals were becoming more hostile to her as the influence of Aradala’s dark shadow expanded.

“You spineless Kurals need to go back to where you came from. We don’t have the resources to provide for you lazy people. We have our own problems to worry about,” said a seller of animal hides. Knives and hide scrapers hung from her belt. It was clear she had to do the hunting, tanning and processing of hides all by herself. Mara decided the lady must be acting out because of stress.  

There was no way for Mara to return to her homeland like the woman suggested. It had been reduced to ruins, and she believed it would not be long before people spoke of Kural as an ancient civilization if it was ever mentioned at all. The few native inhabitants who had not managed to flee the country were killed at whim by their overlords or enslaved.  

“The Aradalan army was no match for you pathetic people who spend all your time worshiping your ugly goddess, but we Sylvanians would not give up so easily,” said an old woman.

Nerukia’s head was a skull. Devotees were not supposed to be attached to physical beauty, but Mara had to pretend not to hear this gross ignorance about the complexities of her religion. 

Finally, there was a woman who seemed to be interested in Mara’s snake-shaped brooch. It once belonged to Mara’s great grandmother, and Mara used to long for the day when she could pass them down to her own daughter. Snakes were also a sacred animal in Kuralic religion, and Nerukia was often depicted with a serpent around her neck. But it was more important for Nali to eat than it was for her to own a brooch. 

“I do collect artifacts from vanquished races, so this would be a perfect addition,” said the Sylvanian woman. She ended up paying the price of a fish for what would have been valued so much in Mara’s culture.

 Later that day, Mara tried to be grateful for what she had as she took home a trout. It would at least be a nutritious meal for her daughter. She was pleased to find Nali sitting in front of the idol of Nerukia in quiet devotion. 

But poor Mara, who did not want her daughter to have to do anything more strenuous than ring a bell, could not protect the child from harm even within her own house. 

When Nali finished the trout, Mara advised her not to dispose of the bones. “We will make a necklace for the Nerukia idol out of fishbone. This was a common practice back in Kural. Our goddess is also known as the Skeletal Lady, and is fond of offerings of handmade bone jewelry.” 

“Okay mom,” said Nali. But the child had hardly gotten out of her seat when she collapsed on the floor without warning. 

Mara screamed and broke into tears. “Nali? Nali, my heart, answer me. What has happened, my precious jewel?” She fell to her knees, and placed the child’s head on her lap. Still, there was no response or stirring from Nali, and her body felt dreadfully cold. Mara’s mind raced for possible explanations. Food poisoning? Choking on a fishbone? She did not have much time to process what had happened, for all of a sudden came a dreadful sound. Like the ringing of a prayer bell but much louder, and then the room started filling up with an eerie red gas. 

Instinctively, she knew she was dealing with something otherworldly. Mara had plenty of spiritual knowledge. She had administered charms and potions back in Kural, and knew of the lore of Nerukia and the lesser deities. But this was a land where her magic did not work and her knowledge meant nothing. 

She was poor and helpless and a foreigner, and did not understand why the local spirits would deem her worthy of their attention. She feared that she had somehow angered them greatly. But what could she have possibly done? She was not a greedy Aradalan invader. 

Her vision blurred by tears, Mara looked down at Nali, whose eyes were closed. She almost seemed to be asleep, except that her chest was not rising and falling and so Mara feared she was not breathing.

The red gas grew thicker. Mara was hardly surprised when a being of some kind began to appear, knowing that something horrible and supernatural was unfolding before her. 

She was a feline creature, not a humanoid. All Sylvanian spirits and deities were animal-like, Mara knew. As the cat materialized, Mara could see that she had bright, red fur. She was as feral as the lynxes of the nearby forests, with long whiskers and tufts of fur coming out of her ears. Upon her head grew a pair of antlers as large as a stag’s. And she had three eyes, two yellow ones and a larger, red one on her forehead. At first, Mara thought this was some kind of fire spirit, judging by the red fur. But as the feline came closer, she noticed webbed feet that left a trail of water on the ground as the red gas thinned. There was a row of wide, blue spines down the creature’s back. And the final detail that Mara noticed, a scaly tail like a mermaid’s, confirmed that this was an aquatic spirit. 

Mara began to beg and plead. “Feline water goddess, please have mercy on us. If we have angered you in some way, please smite me, not my daughter.” But the creature only stared at Mara with her yellow eyes, while her third eye was fixed upon Nali. “We are newcomers and have not learned the ways of your country, forgive us.” Her daughter remained still and lifeless in her arms. “Everything that I love, that I would die for, is within her. I am nothing without her. I am prepared to endure the worst torture if you let her go free, to be your slave if necessary.” 

Nali began to stir now. But instead of feeling relief, Mara’s heart filled with dread when she realized that although the child was moving, she was not alive. “No! Please don’t do this,” she begged the cat, “let her go.” She was horrified by the thought of her daughter under demonic possession. 

Nali’s eyes opened and were now bright yellow, like the cat’s. Mara shrieked when her daughter made eye contact with her. “No. No! I’ll be your slave. I’ll be your slave for eternity. Please-”

“Cease your babbling, fool.” Nali spoke in the feline’s voice while the feline herself paced around the room. 

Mara could only whimper.

“The girl is mine now. I will make her do my bidding. She will fight for Sylvania, against all the enemies of this land.” Nali got up, eyes ablaze. This new voice seemed so sinister, so terribly suited to the child.

“My only child…” Mara’s voice trailed off.

“And did you ever stop and think of my child? I am known to my people as the Mother of the Waters. That’s why Sylvanians always dump fish bones back into the water after they eat them. It is I who reanimate the bones of my children, so that there is always a steady number of fish in the water. But what have you done, foreigner? You’ve devoted the bones to your horrible skeletal lady. Now I can not reanimate them. You took my child, so I’ll take yours.” The creature’s voice thundered from within the child. 

“All this… is because of a fish bone?” Mara blinked in disbelief. 

“You are a fool. You do not understand our ways. Nevermind, this child is mine. But her frail body is of no use to me right now. I will return again, once she is older. But do not forget that she does not belong to you.” With this, Nali fell to the ground in a coughing fit as her eyes changed back to their natural amber shade. Mara rushed to comfort her. 

The creature, while using Nali to speak, had been licking her own paw in the most domestic catlike manner. She turned around, and, dragging her mermaid’s tail behind on the floor, disappeared as she crept away. 

 Nali moaned. 

“Nali! My soft dove!” Mara embraced her in relief. 

“I had the most terrible dream about… a cat?” said Nali. Although she was no longer possessed, she seemed very ill. But her mother was not unused to her being feverish. She tucked her into bed after making her some tea.

“Sleep now, my true love. That whole business about the cat was just a dream. It can’t hurt you,” said Mara. In her blind motherly devotion, it seemed she was always obscuring reality to protect her child. 

Mara nursed Nali for several days, throughout which she did not want to leave the child’s side for even a second and kept holding her hand. Then just as Nali began to feel well again one day, it was Mara who fell ill. Her nine year old daughter was not well-prepared for handling tasks other than the ringing of the bell. The mother’s condition only grew worse by the day, her temperature rising, and she also lost her hearing. This meant that she did not hear the sound of Sylvanians blowing into conch shells one morning to warn of an Aradalan raid, and she did not know how to instruct Nali on how to flee to a safe place. 

Nali seemed mesmerized by the conch shell trumpeting. She did not register it as a sign of danger. 

Sylvanian militias fended off the worst attackers. Much of the valuable stores of copper, obsidian and red flint tools were lost. But no Sylvanians were killed or carried off as slaves. Needless to say, the militias did not care to defend the row of huts where Kuralic people were taking refuge. It only took one Aradalan soldier in gleaming armor to carry off Nali from the screaming but helpless Mara. 

The mother died after the raid. Whether of heartbreak or of her illness, it could not be determined. 

Nine years old, weak, ignorant of history and geography, and incompetent in any useful skills, Nali was taken to Aradala to be a slave. Her frequent illnesses and her tendency to bungle simple tasks led to many beatings, but somehow she lived to adulthood. In fact, her natural submissiveness meant that she was not seen as a threat, and she became a palace attendant to peel the grapes of the Aradalan nobility. For such a pathetic creature, no better end can be hoped for.